Collaborating with video artist Brit Bunkley, who assembles a visual environment by layering Collier’s paintings, to compliment her richly woven soundscape, Fykberg's composition is informed by the sounds of her time at Tylee Cottage: rhythmic birdsong, wind and rustling cabbage trees. Frykberg also imagines the sounds Collier herself may have experienced in the early twentieth century, when Western music was undergoing dramatic changes led by composers such as Igor Stravinsky and Arnold Schonberg.